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The Waw sound has been tweaked considerably for Sicko Mode, with a light tremolo effect, aggressive EQ shaping, and mild saturation.
Travis scott sound packs Patch#
The patch is also available in the NI Kontakt Factory Library, under the Electronic Toys folder, where it’s called Rapman Waw. For the tremolo effect, set the effect at 17.5% wet with a modulation rate of 9.36 Hz. For the EQ, high-pass around 240 Hz, cut around 1 kHz and boost around 3.67 kHz. To get the raw Rapman samples to sound more like the sound on Sicko Mode, it needs to be EQed for brightness, and run through a tremolo effect, similar to the R.I.P. The Casio sample is included in the Native Instruments Kontakt library, which is where Chahayed got it from. The Rapman voice sampled on Sicko Mode is 24: Waw Voice, an unusual patch with two voices set an octave apart, and the high voice glides up when you play a note. The keyboard in the Sicko Mode was played by beatmaker Rogét Chahayed, who says the chord harmony is inspired by Scriabin and Sergei Rachmaninoff.Ĭhahayed is playing the patch on a Korg Kronos, a high-end music workstation, but the patch he’s playing is a sampled sound using samples from the Casio Rapman, a cheap toy keyboard from the early 90s aimed at aspiring rappers and hip-hop producers on a low budget. The song’s memorable intro opens with an unusual organ sound, with pitchbending and vibrato, and is followed by a swing beat and an interesting beat switch after the intro. Sicko Mode was the second single released from Astroworld and set the record for the longest a hip-hop song has spent in the Billboard top ten. I also placed a compressor after the reverb, which helps adds sustain to the reverb tail. In the audio example below I used Valhalla VintageVerb.
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For the reverb sound, set the mix level to 23% and decay to a high 3.84 seconds. For the filter envelope, set decay at halfway for a snappy pluck, and sustain just above 10. In Repro-1, set the filter with cutoff to 20, keyboard tracking to 0 and env amount to 40. The main pluck synth patch that opens the song and plays throughout is a single triangle waveform oscillator through a plucked filter and a big reverb effect. The song’s structure is simple, based on a 2-bar loop, but has multiple layers of different synths as the track progresses. Korg Polysix Fat Bass Line preset for the bass that comes in for the verse.Ī.N.A.1 for the main tremolo/glide synth. Korg Mono/Poly Spelunking preset for the main pluck synth that starts out. For the original beat of the track, Taylor used the following synths: Screw come from producer Blair Taylor, and Mike Dean later added the Juno pad and synth riser just before the chorus. Screw, a tribute to the Houston hip-hop DJ, DJ Screw.
Travis scott sound packs software#
Screw, Astrothunder and Sicko Mode, deconstruct the synth patches, and put them back together using software synths. Many of the sounds can be created in any suitable softsynth, and I’ll create all the sounds in this article using just u-he Repro and TAL U-NO-LX, as well as some sampled sounds that I’ll share as a free pack at the end of the article. In this article, I’ll concentrate on the synthesizer sounds on the tracks R.I.P. Astroworld was recorded in Hawaii with a diverse set of collaborators, including Mike Dean, whose analog synth sounds feature prominently, Tame Impala’s Kevin Parker, who produced Skeletons, John Mayer, who played guitar on the album, James Blake, and even Stevie Wonder, who added his signature harmonica to Stop Trying to Be God. The album was hugely successful and cemented Travis Scott as one of the top hip-hop artists of the current era. Last year, Travis Scott released his third album, Astroworld, a continuation of his hip-hop sound pursued on earlier releases, but with a heavy trap and psychedelic influence.